Scroll down the page for biographical information and news.

Video and Live blogging

Camilla Hampshire talk

Camilla Hampshire BWThe Royal Albert Memorial Museum in Exeter reopened in 2011 after four years of regeneration, and is currently the Art Fund Museum of the Year. Camilla is telling the story of a “Home for a Million Thoughts”.

RAMM opened in 1868 as a 3D encyclopedia of the world, aimed at educating the local population. It was funded by local subscription, not philanthropy, so there is still a strong feeling of local ownership.

People were glad the Museum had the investment for regeneration, but often asked “you aren’t going to make it worse, are you?” The project team asked two key questions: What is the role of museum collections in the information age? and How do we expect visitors to benefit from their visit?

To answer the second question first, the museum is still about education and personal growth, inspiration and creativity. So the Museum staff offer interpretation to visitors, quite different from the original prescriptive approach.

“Home for a Million Thoughts” tries to encapsulate the spark that happens when a human mind encounters a real object. This is something that can’t be found replicated over the internet, hence the answer to the first question.

This led to implications for laying out the Museum, firstly the taxonomy of how galleries are structured and what objects they contain. RAMM will always be collection-led. The regeneration created narratives, immersive exhibitions, such as the gallery on history of Exeter. This produces richer engagements between objects, and a touch of magic.

Then RAMM contains shared space where people of all backgrounds can come together. It aims to provide room for delight, humour, surprise and other human emotions. “Discovery consists of looking at the same thing as everyone else, and seeing something different.” RAMM hopes to enable moments of discovery by linking the past with ideas for the future.

More Information

Royal Albert Memorial Museum

Camilla Hampshire biography

Camilla HampshireCamilla Hampshire has been Museums Manager at the Royal Albert Memorial Museum since April 2001, and was the genesis of the recently completed £24 million capital development project. The refurbishment, extension and redisplay of the Museum led to it being named the Art Fund Prize ‘Museum of the Year 2012’.

Camilla arrived in Exeter having just completed the Millennium Galleries in Sheffield, where she was the Project Coordinator for the Galleries & Museums Trust. She says it has been a huge professional privilege to work on two such significant projects.

Beginning her career as a sixteen year old volunteer, her first paid role after university was at Whitehaven Museum and Art Gallery, Cumbria, and subsequent curatorial roles have taken her the length and breadth of the country.

Camilla read History of Art at Cambridge and Postgraduate Museum & Art Gallery Studies at the University of Manchester.

News about Camilla Hampshire

Sparking connections at Franklyn Hospital

Exhibition_Poster_franklynAt TEDxExeter 2013, Carrie Clarke spoke about what we can still do for people with dementia, to strengthen their sense of belonging and their connection to place, people and each other. We learnt of the importance of design of the physical environmental of care centres, and she described the refurbishment and new garden being created at Franklyn Hospital in Exeter. She also told stories of how creating paintings together with artists had brought healing to people.

Artist Simon Ripley from Double Elephant Print facilitated a number of these sessions at  Franklyn. He created work both in advance of the sessions, to spark the people staying at the hospital at the time, and after in response to their work. Examples of Simon’s work were hanging in the Exeter Northcott Theatre’s auditorium during TEDxExeter 2013.

On 28 August, yours truly the TEDxExeter Storyteller was able to go to the opening of a thought-provoking exhibition in the Family Room at Franklyn, featuring work by former and current patients, and two of Simon’s prints. Numbers were small, but we – staff, relatives of former patients, Double Elephant – had some profound conversations. We were also able to see the garden, a beautifully-designed sensory space that looked absolutely stunning in the evening sunshine. Please see the photographs below.

At some point during the evening, Carrie told me briefly about how she was working with the Royal Albert Memorial Museum in Exeter, a collaboration that arose from a connection made at TEDxExeter 2013 with Camilla Hampshire, who spoke about RAMM: Home to a Million Thoughts. The following are Carrie’s words. For more information about the Fund she mentions in the last paragraph, please contact Carrie.

Collaboration with RAMM

With regards to collaboration with the museum: following TEDxExeter 2013, I made contact with Camilla to discuss the potential for any collaborative work. She put me in touch with Ruth Gidley, their Community Participation Officer. Ruth has been working hard on developing the museum into a more ‘dementia friendly’ venue, and as part of this has been collaborating with various local organisations such as Age UK and Innovations in Dementia. Through this contact, I was invited to speak at RAMM’s ‘Collaboration in Practice’ conference last November, which in itself brought about some more useful contacts.

In May Ruth and I attended a workshop in Bournemouth delivered by staff from the Museum of Modern Art in New York; they have been running a successful programme for several years now called ‘Meet me at MOMA’. This is a structured art discussion group for people with Alzheimer’s Disease or other dementias and their carers, each session looking at approx 6 paintings with a common theme. Ruth has set up a pilot project based on the MOMA approach, using their latest exhibition ‘Detached and Timeless’. I have today just got back from taking one of our service users to the session, which was excellent; it has given her a stimulating experience and provided her with something to talk about when her family visit. She commented that she would very much like to take her grandson to the exhibition, because of his interest in art. So for this particular woman, it was a great way of enabling her to feel more connected with the world around her, and will hopefully also be a point of connection with her grandson.

Ruth and I have also had some discussions about two other potential projects: 1. bringing quality photographs of the paintings form the exhibition to run a similar session at the hospital (thereby enabling more people to participate) and 2. Developing outreach sessions from the museum, using a collection of objects based around the theme of seasons. There’s an interesting link between handling objects which provide a range of sensory experiences, and how this can stimulate memories and possibly create new neural pathways. It’s what I touched on briefly in my TED talk: the sensory-emotional link. We are then considering creating some audio books made by the individual participants (Ruth has experiemented with this already), and also the potential for using stop-motion animation as a creative way of capturing some of the stories which arise from the sessions. I’ve been using stop-motion animation with our service users for a while now, and it’s an amazing therapeutic tool! I’ll be speaking about my work at the Bristol Encounters short film and animation festival next week. If this approach proves effective, we will look at applying for funding to run a larger scale project, commissioning professional animators to work with us with a possible big screening at the museum. But that’s a long way off yet!

As a result of the museum conference, I was approached by a photographer, Ruth Davey from Stroud. She has recently facilitated a photography workshop with a group of service users at Belvedere [unit at Franklyn] in our new ‘Beautiful View’ garden. The process itself was very beneficial in terms of enabling sensory experiences, providing a space where people could express themselves creatively, and stimulating some fascinating story telling. And the end results were amazing! They will form our next exhibition at the hospital, and I hope will also be shown more widely.

This workshop was funded through the Margaret Whitaker Therapeutic Art Fund. Margaret’s daughter Carol set up the Fund in her mother’s memory, because she was so grateful to see her mother re-engaging with her love of art during Simon’s sessions run at Franklyn, and Carol saw the joy it brought her in her last few months. So that’s a wonderful legacy, with which we hope to continue to provide stimulating therapeutic arts activities at Franklyn.